Supporting-actress virtual round table — should Angel Hathaway shout her approval speech?

In our second Oscar circular desk, we deal with best-supporting celebrity. Before you can say Angel Hathaway will win for "Les Misérables," let's take a lengthy, diaphragm-deep breathing and check out the competitors. There's Sue Area capturing the "Lincoln" trend in second, followed by "The Master's" Amy Adams, who is fed up with the term "it's an respect just to be selected." (This is her 4th nomination.) Oscar champion Sue Search follows for "The Classes," and two-time nominee Jacki Weaver for "Silver Designs Playbook," which got a nomination in all four key performing groups. I would really like to see Adams disappointed this competition, but even among the brain believe in at Goldderby.com, only a few "Lincoln"-loving commentators even danger getting out of range to returning Sue.

Wynter Mitchell (BuzzMedia): I'll be thrilled when Angel Hathaway victories so she can go returning to where she belongs: creating ill-conceived, irregular rom coms.

Peter Knegt (Indiewire): I'd really like to see an disappointed in which Hathaway somehow drops, but that's fairly difficult to think about. Area is definitely her nearest opponent, but getting three Academia awards on three nominations seems a bit much, especially when they will likely also be providing a third Oscar to Day-Lewis and perhaps De Niro as well. So it seems that the forecasts individuals were creating a season or so ago that Hathaway would -- like Jennifer Hudson and Catherine Zeta-Jones before her -- generally win an Oscar for one jaw-dropping musical technology series will confirm appropriate.

Wynter Mitchell: I always ignore that the Oscar goes to the individual with the best "performance" -- it's not for her profession. I don't know, but I experience like the overall benefit an performing professional has to think about intensely, especially in the situation of females, for the academy. She is eye-catching, but does she have detail, if the part requirements it? Jury's out on that one.

Thelma Adams: Hey, Chris and Wynter, why do you think there is level of ability to resist Anne? At this factor, could it be personal? I did listen to term dripping out that she Bigfooted her other females co-stars, all but operating over closet-hipster Amanda-b Seyfried and neglecting the factor that Seyfried had the cause in "Mamma Mia." Is it possible they were launching competitors for that role?

Peter Knegt: Basically, I get the feeling she isn't exactly dearest by a lot of her colleagues. But that's absolutely depending on nothing.

Nathaniel Rogers (The Film Experience): Hathaway hasn't been doing anything in a different way than most individuals who want an Oscar and are expected to win, but there does seem to be more bitterness toward her. (Please, someone describe to me why her present steamrolling, "my wonderful life!" method is any different than Natalie Portman's for "Black Swan.")

I'm absolutely on panel for Hathaway's win. A third Oscar for Sue Area would absolutely decimate her heritage (people were already upset about her being a two-time champion, though there's been temporary amnesia about that in the "Lincoln" really like fest), Amy Adams is coasting on standard taste of the several years (they'll nominate her for anything, and what is she providing to this questionable part that anyone else wouldn't have?). Jacki is certainly just satisfied with the nomination (a surprising one). Anne's only competing with regards to amazing presentation of a high-wire part that could have gone very incorrect is Sue Search, who already has an Oscar. In this season large with second and third Oscar opportunities, it'd be awesome to see someone win for initially.

Wynter Mitchell: Natalie Portman revealed a regular gravitas. Angel is frustrating in life; in that period she was excellent. More excellent than the others? Not in my view. An disappointed would be welcome.

Michael Hogan (Huffington Post): There is a newish term arriving out of the hip-hop globe that relates to Anne: She is "thirsty" for that Oscar. It's not the most eye-catching excellent, but I kind of really like the factor that she actually loves you and requires the whole factor so seriously.

Thelma Adams: And how is "thirsty" a new term? -- although it absolutely is applicable. In Steven Spielberg's situation, it goes as far as "parched."

Michael Hogan: Newish use of an old term, I think.

Lewis Beale (freelance enjoyment reporter): Did you study Leslie Wloszczyna's USA These days item about "Les Miz " haters? Since I have not seen the image I can only think, but I am seeing a lot of Online hate for Hathaway and her self-absorbed discuss how harmful individually her part was, etc., etc. It seems a lot of individuals just want her to STFU.

Carla Stockton california (writer): I have been, since when I sat through the performing of that terrible music (worse than all of Phil Lloyd Webber) worried by her nomination for a supporting-actress award, since there is nothing helpful about her. She hit the notices, sustained a sexual assault in a little area, cried and terminated perfectly, but there was nothing about her aria that in my thoughts allows collection perform, helps excellent minutes by the celebrities discussing the display with her. I think for a moment or less, she was almost in the same movie as Hugh Jackman . . . but not until the very end. Up to that factor, I sensed like she was in her own movie. I saw her do the same factor in "Twelfth Night" at the Delacorte Theater; she had her own plan, and she was in her own globe, and even expert collection gamer Raul Esparza seemed alone when he was onstage with her.

Karen Gehres (freelance producer): I cannot keep another A.H. conversation. Her side must be painful from drawing herself on her returning so much.

Susan Granger (film/theater critic): Angel Hathaway -- discussing or performing -- her emotional Fantine police the award this season.

Caryn James (James on Screens): I want Hathaway to lip-synch with Beyoncé's conversation arriving out. Or maybe Seth MacFarlane's. She is a secure on the award, so just trying to cheer up the display.

Bill McCuddy (voice-over specialist and standup comedian): This competition is almost always an disappointed. Right now in the Dakota, Lauren Bacall is still adhering hooks in a torn little Juliette Binoche toy.

Thelma Adams: In 1997, we were assured Bacall would win assisting for "The Reflection has Two Encounters." When the speakers known as Binoche's name for "The British Individual," which taken with nine Academia awards that season, it was a mortifying 'ouch!' for the The display biz industry tale.